Sunday, November 9, 2014

Yasmeen Helwani
Daughter of Ghana’s music legendary producer Faisal Helwani of the Bibini Music fame, Yasmeen Helwani, has stated that the highlife genre as we knew it before is gradually fading out.

Yasmeen Helwani spoke to  Nii Ogbamey Tetteh in an interview about her experience working with her father.

Yasmeen is a renowned songwriter and vocalist who has over the years shared stage with international acts like Xhibit, Naughty by Nature and Snoop Dog among others.  Her vocal abilities earned her the nickname ‘Golden Voice’.

What genre of music do you do?
I would like to say Afro-soul but it is difficult to categorise me into one place because I’m quite versatile. These days a lot of artistes are also doing same. We are not pigeon-holed into one genre. I have always been into the Soul genre because I feel my expression has the kind of Soul vibe to it. I also like to fuse it with other genres like Reggae, Jazz and Afrobeats.
I really want to have my Ghanaian side also reflect in my music. When you listen to my ‘Paddy’ song which I released recently, you will hear a very distinct African side.


What was the starting point of music for you?
Eeerrhmm, in the womb. My father has been a pioneer at the forefront of the Ghanaian music industry. Even in the womb, I’m sure I was hearing the music outside and all the vibrancy that was going. Immediately I could speak, I was singing.  So basically, I was born into it and it looks like the spirit sort of guided me into it. I was born with a phenomenal voice and I don’t know where I got the voice from. It just so happened that I was put into this environment that helped me to grow my skills and my talent.

Among all the songs you have, which one will you say is your favourite?
That is a very difficult question. I wouldn’t really have a favourite song because as a song writer it is very difficult. Every song I have really put out there was written and arranged by me. But I can maybe say recently the last songs—Paddy and Medication—are very dear to my heart.  They are my favourites because these came after the death of my father and I had been sort of free to be the creative director of my own stuff. These songs are like the couple of first recordings that I have been able to express myself very well without any influence from anywhere.

Were you under the management of your father?
Yes, I have always been since I was a kid. He was a music producer, manager, promoter and I was under him.  He was the one taking care of all my recordings and guiding me in the industry. He built a name for me and built up my value to a point where people knew that when it comes to Yasmeen, you had to go through Faisal.

How was the experience like working with Faisal?
It was both a blessing and a curse because he was my father and you know the relationship between fathers and daughters. Sometimes it was like expose her, but do you want to expose her? Put her on stage, but do you really want all these guys staring? I’m sure for him also, he had this conflict of love, emotion, versus business. With him gone, I did feel a huge loss and a huge void but at the same time creatively, it spurred me on to really bring out what was deep inside me and hadn’t really come out yet.  My dad was very ‘my way or the highway’ so it was like do what I say and that’s the end of the story. For someone who had the kind of experience he had, you needed to respect that. I was always told that ‘ok you are a brand or an artiste so people don’t need to be seeing you everywhere’. I will say he groomed me in the right way.


Do we sell our culture in the music being played today?
Yeah you still get that. You still have the authentic Ghanaian sound but I feel there is a whole lot more that is not being explored.  Ghanaians pick one trend and ride it till God knows; then it gets boring, and then they pick another trend. I feel Ghanaians are more into rhythms. If your song is not a rhythm that they can dance to, then forget it.

What is your opinion on the recent trend of Highlife Music?
Even the highlife, it is sort of waning. I’m not hearing the real highlife that we used to hear those days. Now there is hiplife but it can be like a sub-genre of highlife. We are a very trendy kind of people.  But I have also noticed that a few people are also trying to get the highlife thing going; and Castro, wherever he is, tried to incorporate that highlife vibe. There are also a few other artistes who are doing well and pushing a little highlife into the system.

How did it go at Felabration ?
It was actually very interesting. It was the first time I had performed in Nigeria and for me, it was the best entry for me. People have now come to revere the event.  Secondly, my father Faisal Helwani and Fela had a relationship so it was sort of a reunion for the two families.  I met with Yemi and Femi, Fela’s children, and it was awesome.

Yasmeen, apart from music what else do you do?
Well apart from music, I’m a creative person who likes doing things with my hands. I’m into eco-friendly lifestyle and I also have a couple of different businesses that I’m into and most of them are in social entrepreneurship. I love people and I love to affect the lives of people. Whatever work I do, it has to be something that empowers people and helps to bring people into a better situation. I have a product line called ‘Madame Yasmeen’ which is mainly organic; and I make everything myself—from soap to body products—and it is all natural because I’m against too much chemicals.

Where do you see yourself in the next two years?
I live in the ‘now’. I have stopped sitting down and saying ‘oh next year I will do that or  two years I will do this’, because I could be gone tomorrow. What I’m doing now or I can do immediately today is where my focus lies. Of course I could have goals but I don’t really do these projections. My wish is that I’m going to continue contributing greatly to that demographic of people who appreciate good music.  I’m always going to put out music because music is in my blood. Whether commercial or not, I’m always going to put out music. On the other hand, I will say touching people’s lives, making a difference, because I’m always about spiritual enlightenment.  

What religion do you belong to?
I don’t publicly declare any religion because religion is manmade and we are sinking so deep into this manmade concept where now we are not even sure how to interpret our own creation. For me, I operate on the fundamental laws of the universe which we are all a part of. Love is number one on the fundamental laws. You must love yourself enough to be able to love someone else and you must love someone else the way you love yourself. When you look at someone, you must be able to see that person as a reflection of yourself so that you treat that person as if you are treating your own self. If you don’t have love, you will be mean, wicked, you will kill and steal.  The love here is all encompassing.  Nobody is perfect and I always say I’m not religious but I’m spiritual.


By Nii Ogbamey Tetteh email: ogbameytetteh@gmail.com , twitter: @ogbameytetteh
Chase Forever, born Fianko Bossman, is an award winning recording artiste and songwriter.

He was born in Hackney Town, London, and partly grew up in Ghana. He grew up listening to the likes of Michael Jackson, Luther Vandross, Paul Simon, Milli Vanilli, Usher, Bobby Brown and Boyz2Men, to name a few.

At age ten, Chase had already started writing song verses and performing. He participated in every talent show organised by his school.

Chase spoke with NEWS-ONE’s Francis Addo over the weekend in an interview that touched on industry issues, his Unappreciated album, the relationship among Ghanaian artistes and his thoughts on the Nigerian music industry.

What have you been up to?
Well after the album I’m just looking to expand the brand, do more tours and focus on building an empire, LFO Group worldwide, which will be a group of different talents family and songwriters and composers. My ‘Fire’ video is also ready so I’m looking for the appropriate time to drop it.

What is LFO?
Loyal Friends Only.

How is your new album, Unappreciated, doing so far?
Well, yeah we’ve actually run out and reprinting more for sale.  The people who have listened have had great reviews and remarkable comments about the album.

Wow! So how many copies have you sold so far?
On the day of the launch we sold close to GH¢50,000 that night.

Why did you title the album ‘Unappreciated’?
Well it’s a phase I went through. I work hard a lot to put out the end product for people to hear. I think I kind of expect more than the attention I received but that’s just me being over the top with my feelings I guess.  It applies to my past relationships and all; you know I always put my ‘A game’ into whatever I’m doing. So I kind of always expect more. Unappreciated spoke my falling out with the people I have love for. You know it’s kind of still ongoing but I’m learning the game fast now.
Some think you feel the industry does not appreciate you.
The industry flushes out artistes every day. You know I’ve been relevant since I took off and I appreciate that. What I don’t appreciate is the way we gravitate to everything that comes from outside. I feel like even we the artistes do a lot of “ass kissing.”

What do you mean by that?
Say I have an album out, how many artistes did you see post that to promote it? We don’t even support each other, to begin with.

Ghanaian musicians are not united?
Yeah, then we turn around and complain the foreigners (Africans) are more successful—Nigerians, etc.

Why do you think Ghanaians gravitate to anything foreign?
It’s pretty a generational thing. But we misuse that feature. We are warm-hearted people.  How do we solve it, if we can’t love ourselves? Who would love us? It’s a big problem. And honestly as artistes some of us have a lot of work to do.
How did Chase end up in music?
Passion brought me here. I love music so much I overlooked a lot of other opportunities to forgo my dream. I mean if we are living to die why not live being happy.

How did it all start?
I started as a rapper. I was in a rap group called Soljas Inn. We used to ‘battle’ rappers and ‘kill’ them for real. It was me, Treasure, Bils Rayoe and X.


Treasure is still around, how about the rest?
Bils Rayoe is in the States. X found God and got married. I’m still doing my thing.

How did you break onto the limelight?
I think my songwriting made me popular. At the time I wanted to start song writing, there was an artiste in Richie’s camp called Salimi. So I wrote a song for her, then when I went to Richie to sing it for him to give the girl, he was like why don’t you do this yourself? So then I started to record. Some songs leaked and got me popular. Then I left Lynx Entertainment and dropped ‘Tell Me Your Name’featuring Paedae. God was just good because I didn’t even have a marketing plan for the song. It just took off. Then when the video dropped it went extra. Shouts out to Nana Asihene.

What will you describe as your biggest achievement in the industry so far?
Well dropping my album meant a lot to me. My Channel O nod was also a great feeling. But there’s more to come.

Who do you see as competition in the industry?
Well nobody and I say this out of respect and sincerity. My style is different…

Who is Chase?
He is Forever. Whatever lingers in your mind too long trickles down to your heart eventually. My music that.

Which part of Ghana are you from?
Akuapim/Ashanti.

What is your education background?
I was at Aggrey Memorial for a year then left to Pope Johns. After, I went to Central University and years down the line here I am.

Any massage for the people who follow you?
Stay true to yourself and address your fears at all times.  That’s all I want to tell the people.


By Francis Addo (Twitter: @fdee50    Email: fdee500@yahoo.com)

Wednesday, November 5, 2014

Afriyie
Highlife musician Afriyie of Wutah fame has praised Kojo Antwi for his immense contribution to the development of music in Ghana.

“Kojo has contributed immensely to the development of music in Ghana. Most of the aliases he has earned for himself over the years, he got from the songs he has produced over the years.  He is also one of the pioneers when it comes to Reggae music in Ghana and across Africa as well. When you mention Reggae musicians on the continent, you talk of Alpha Blondy, Lucky Dube and if you don’t mention Kojo Antwi then your list is not complete,” Afriyie, who was one of the acts who offered tribute performances to Kojo Antwi at the Legends and Legacy Ball over the weekend, toldNEWS-ONE. 

Kojo Antwi was honoured at the 4th edition of Legends and Legacy (LAL) Ball over the weekend for his immense contribution to the music industry at the Accra International Conference Centre (AICC).
Afriyie, known in real life as Kwadwo Osei Afriyie, stated that Kojo Antwi’s lyrics could be heard in most of the songs trending in Ghana currently.

“When it comes to writing, he is one prolific writer because most of our songs we sing now, you hear Kojo Antwi in there. If you pick 10 songs trending now, you will find a Kojo Antwi line or lyrics in there. He has contributed a lot to the development of music in our country,” he added.

The ‘Love of My Life’ singer disclosed that when news broke about his selection to perform at the LAL Ball, the feeling was more than any award a young musician like him could ever receive.

“I might say I felt very good as a musician because I heard he was part of the selection process and he wanted specific people to be on the show. Being recognised by the maestro himself was more than any award a young musician like my type could ever receive,” he said.

Tuesday, November 4, 2014

Sarkodie
Award‐winning rapper Sarkodie has commended his Ghanaian fans for remaining loyal to his brand throughout the years.

Sarkodie, who put up a marvellous performance at the ‘Tigo Music Unplugged’ concert over the weekend, stated that he was overwhelmed by how his fans cheer, listen to his music and even fight for him when issues about him come up.

“Ghanaians made me who I am today. You guys are the best. The way some of you even fight for me when issues about me come up is touching,” he stated after his performance at the Accra Sports Stadium.

The ‘Adonai’ singer also commended organisers of the ‘Tigo Music Unplugged’ concert for putting together a massive crowd of music lovers for the show.

Sarkodie performed a lot of his hit songs including ‘Baby’, ‘Illuminati’ and his new track titled, ‘Mεgye Wo Girl’, among others.

It would be recalled that the artiste was recently in the news after he released his ‘Inflation’ song which centred on the current economic hardship in the country.


Michael Owusu Addo, as he is known in real life, has managed to stay on top of his game despite the keen competition in the music industry. He is also the Chief Executive for his Sark clothing line.
Emerging fashion designer, Nina Bakers Wood, Chief Executive of Bakers-Wood, has said it is unfortunate that some Ghanaians continue to look down on fashion designers and hold the perception that it is school dropouts who opt for the fashion designing profession.

“The perception is still there and when people hear you are a fashion designer, they think it is because you cannot become a medical doctor or a lawyer or an astronaut; and this is unfortunate because fashion designing is very big business and not a last resort for school dropouts,” Nina told NEWS-ONE.

Nina Bakers Wood 
She said “fashion designing is a creative sector and it takes people who can think on their feet in a very creative way to enter into it.”

“There is no set of professionals who do not wear clothes. Who would design the clothes if we all decide to become medical doctors or lawyers?” Nina quipped in this interview that touched on her brand and the fact that she has been ranked Among Top 7 Emerging African Designers.


Tell us about your brand
The name is Bakers-Woode. We are into fashion retail. Though we do a few stuffs for men, I like to focus more on women. We have been working for some three years now and we have had some successes and recognition.  For instance in July 2013, the Vogue international magazine did a whole feature on us as a fashion brand from Ghana. We put Ghana out there. We have also been featured on international news channel, CNN, for being among the top 7 emerging African designers in same year. We are a success story so far.

But you are not loud in Ghana.
I have no idea why we are known more internationally than in our home country. I think it is probably because of our styles. Our style resonates better with the international market and most of our clients are international. We are a bit different from the normal Ghanaian designers.

What is the difference?
Most of the Ghanaian designers use the regular African prints. Though I stick to African prints, I use mostly ‘Tribal African prints’ and not the regular prints. Tribal African prints is the type of print that has to do with symbols from tribes all over Africa and not just Ghana. So for example you can have ‘Adrinka’ from Ghana, some Egyptian mummy and Turkana from East Africa all appearing on one fabric.  My prints have symbols that tell a message and we blend them nicely without creating cluster.

You manufacture in Accra here. How do you sell internationally?
We mostly sell online. Most of our purchases are from the internet and our clients buy through all our social media pages.  It has worked perfectly for us within the last three years.  Most of my clients are in the United States, Canada, France and other parts of Europe. We are looking at expanding our frontiers in the near future by opening retail outlets to ensure we get to the market that cannot purchase off the internet.

Where did you learn to do this?
I guess I have had the passion for a while. This sounds cliché but that is the truth. I was doing the designs and taking them to independent tailors. But that had its set of challenges and they were all messing me up. I therefore decided to go to fashion school myself. I enrolled at Joyce Ababio for a year and I learnt a lot. Now I am hands on though I have in-house tailors working for me.

Has the journey been worth it?
It has never been easy but I am happy where I have reached. Sometimes I want to give up. But I also want to see my brand in other countries all over the world; and this keeps me pushing on and on despite the challenges.
What are the challenges?
Finding tailors, finding fabrics, finding quality zippers and all the things that go into production.  There are tailors all around but it is difficult to find a good tailor that is punctual and loyal to the work. And one who has perfect skills for finishing. Finishing is the most important part of fashion. Finding fabrics is not easy for me. That’s why I use custom made Tribal African prints.

Anything you want to add?
Well, people should just buy Bakers-Woode.


By Halifax Ansah-Addo (Twitter: @HalifaxAnsahAdd)
Alhaji Sidiku Buari
Alhaji Sidiku Buari, former MUSIGA president, on Monday morning bought fuel into his Toyota Rav4 sports utility vehicle (SUV), took a total stranger on a test drive and was tricked into handing over the car’s keys to the stranger who drove away and is yet to return.

NEWS-ONE gathered that Alhaji Buari had advertised that his RAV4 was for sale and soon after had phone calls from several prospective buyers including a man who said he was calling from Tema and was sending his auto mechanic ahead to see the car and test its condition.

When the said ‘mechanic’ arrived at Alhaji Sidiku’s place, both of them decided to go on a test drive while they negotiated the price of the
car and discussed other related matters.

Alhaji Buari was the one driving while the ‘mechanic’ sat as a passenger.

After a while the mechanic requested that he also be allowed to drive the car so as to test its actual condition.

Alhaji therefore parked but left the ignition on and got down so that they could change seats but the ‘mechanic’, on taking over the driver’s seat, sped off even before the car’s owner could take his seat.

The ‘mechanic’ never returned and the mobile number with which he called Alhaji has since been switched off.

Aljahi Sikidu Buari confirmed to NEWS-ONE he has reported the incident to the Police Headquarters in Accra.

He said the vehicle had not been registered but the police have assured him they would do all within their means to track it down.

By Halifax Ansah-Addo

Monday, November 3, 2014

Kojo Antwi 
The name of the Ghanaian music maestro, Julius Kojo Antwi, has been entered into the hall of fame as one of the finest highlife legends known in the land.


Kojo was on Sunday honoured at the 4th edition of Legends and Legacy (LAL) Ball for his immense contribution to the music industry at the Accra International Conference Centre (AICC).


Despite the various technical issues—from over packed auditorium, lack of seats and the power outage that hit the AICC—patrons and fans of the ‘Densu’ singer defied all odds to witness and enjoy the memorable occasion.


This year’s Legends and Legacy Ball was hosted by radio personality Kwame Sefa Kayi.


As part of the event, a host of talented musicians ranging from South Africa’s Yvonne Chaka Chaka, Kaakie, Wutah Afriyie, Kwabena Kwabena, Akwaboah, Efya, Edem and Wiyaala, among others, were given the opportunity to offer tribute performances to the maestro himself and the audience.


Surprise performances by the renowned lawyer, Asante Bediatuo, and a Chinese lady called Akua, sent the auditorium up in cheers.


Kojo Antwi and his wife (Mrs. Rocklyn Antwi)
Radio personality Kwesi Kyei Darkwa (KKD) stated that Kojo Antwi has achieved so much for Ghana through his music and as such was “God’s gift to Ghana.”


Before he mounted the stage to do his own thing, Kojo Antwi was presented a plaque, two citations—one from the Musicians Union of Ghana (MUSIGA) and one from the LAL committee—a Staff of Office and a Gold Medal from Global Access Savings and Loans Company Limited.


Kojo Antwi has won several awards locally and internationally, namely, All Africa Music Awards, Our Music Award, Kora Award, and West Africa Tourism Award among others.


The event was graced by personalities like former First Lady Nana Konadu Agyeman Rawlings, MUSIGA president Bice Osei Kufour and the former Tourism Minister, Nene Mike Gizo, among others.


The LAL Ball, which started four years ago, is an event which seeks to celebrate the achievements and legacies of living music legends. It has already celebrated some highlife legends such as Daddy Lumba, Abrantie Amakye Dede and A.B. Crentsil.
NEWS-ONE has gathered that Ghanaian Dancehall artiste Shatta Wale is being sued again for allegedly assaulting Rashid Abu at his East Legon residence.


The embattled musician may soon have another court case dangling on his neck; this time, over reports he assaulted one Rashid Abu at his East Legon residence over the weekend.


NEWS-ONE has gathered that the ‘victim’,  Rashid, his lawyer, together with a state prosecutor, have taken up a criminal case against Shatta Wale, known in real life as Charles Nii Armah Mensah Jnr.


“Rashid’s lawyer, together with the police, is pressing charges against Shatta Wale for assaulting him,” the source stated.


Shatta reportedly assaulted Rashid in the presence of his manager, Lawrence Nana Asiamah Hanson, aka Bull Dog, over an amount of GH¢150 the musician owed him.


The ‘Dancehall King’ singer was invited to the Central Police Station for questioning yesterday before the lawsuit was initiated.


But when NEWS-ONE contacted Rashid about the lawsuit, he said: “Now that we are preparing for court, my lawyer has advised me not to speak on the issue.”


According to Rashid, he has fled his residence at Dansoman in Accra because of fear that Shatta Wale and his ‘macho men’ would come and assault him.


“Right now, I am afraid. I can’t even sleep in my house at Dansoman because Shatta Wale knows where I stay. I’m scared he and his thugs will come after me and assault me again,” Rashid told NEWS-ONE.


This will be the second lawsuit filed against Shatta Wale after Charter House sued him for defamation.


The events management and production company is demanding GH¢10 million as damages for the defamatory comments made in the four videos the artiste had uploaded on the social media.


At the first hearing, the court granted an order restraining Shatta Wale from making further defamatory remarks about Charter House.


Shatta Wale has been begging for an out-of-court settlement of the case and has formally written to lawyers of Charter House to that effect.
Komla Dumor
The newly established radio station, Starr 103.5 FM, has dedicated its ultra-modern newsroom to the memory of the late international broadcast journalist, Komla Afeke Dumor.


The radio station, which is barely two months old, named the newsroom Komla Afeke Dumor on Thursday.


Professor Ernest Dumor, father of the late broadcast journalist, speaking at the unveiling event, stated that he was really overwhelmed that such a young station would choose to name its newsroom after his son.


“It is really overwhelming that this young station will choose to name its newsroom after Komla. We as a family have been struggling to try and define who Komla really was. Indeed he was my son but he has become more than a son to other people and so this  opportunity is most welcome and we are grateful,” Prof Dumor said.

Mrs. Hesse and Prof. Dumor unveiling the plaque.

The Professor encouraged members of the Starr FM news team to be guided by the fundamental principles that drove Komla in his professional work.


“One of the things I want to leave with you as you think of how to shape your newsroom is the fundamental principle I think drove Komla in his professional work. I searched and I came to one basic principle. That principle has been ascribed to the celebrated Roman-Jewish system, which is the health, the welfare and the good of the people shall be the supreme law. And so that is the passion of Komla; and I hope as you work your way through with this newsroom, that principle will also guide you,” he added.


Management of the station as a sign of appreciation presented an amount of GH¢5,000 to support the Komla Dumor Foundation which is headed by Mrs Chinery Hesse.


Managing Editor of Starr FM, Daniel Kondor, added that Komla Dumor inspired journalists in the entire African continent and even beyond to work hard in their field of endeavour.


“This newsroom is dedicated to the memory of our brother, colleague, son, friend and ace broadcaster Komla Afeke Dumor.  He lifted journalism to heights that I cannot stand here and describe. It will be an understatement to say that Komla inspired journalists of the entire African continent and even beyond,” Mr Kondor said.


The event was also graced by the Deputy Minister of Tourism, Culture and Creative Arts, Abla Dzifa Gomashie.

After the controversial Ghanaian musician, Shatta Wale, allegedly assaulted him in the presence of his manager, Lawrence Nana Asiamah Hanson, aka Bull Dog, at his East Legon residence, the victim, Rashid Abu, says he has been living in fear and is scared his life is in danger.


According to the young man, he has fled his residence at Dansoman in Accra because of the fear that Shatta Wale and his ‘macho men’ would come and assault him.


“Right now, I am afraid. I can’t even sleep in my house at Dansoman because Shatta Wale knows where I stay. I’m scared he and his thugs will come after me and assault me again,” Rashid told NEWS-ONE.


Shatta Wale, known in real life as Charles Nii Armah Mensah Jnr., and his purported hoodlums allegedly picked Rashid from his shop at Adabraka  on Sunday afternoon to his (Shatta Wale’s) East Legon residence under the pretext that he(Shatta Wale) was going to pay an amount of GH¢150 he owed the young man.


“Shatta Wale came to pick up some outfits worth GH¢150 from my shop five months ago but refused to pay. After some time, when I called he refused to answer. I called him on Sunday, he picked it and started insulting me. He even told me that he was not going to pay me my money. Later, he came to my ‘Blow Money Fast’ boutique at Adabraka in the company of some ‘macho men’ and Bull Dog. He asked that I join him in his car so that he pays me my money,” Rashid Abu stated.


Rashid recounted that as Shatta Wale was slapping him with a bundle of GH¢50, Bull Dog asked him to beg the artiste to avoid further assault.


“In the heat of the slaps, Shatta asked me to beg him and I refused but Bull Dog told me to do what his artiste wanted so that I will be free.  Shatta Wale knows me very well so does his manager Bull Dog…,” he added.


Attempts to speak to Bull Dog or the controversial musician were unsuccessful as their lines were not active. Text messages sent to Bull Dog’s phones also did not elicit response before press time.


The victim has since reported the incident at the Central Police Station in Accra.


Shatta Wale was recently in the news for publishing on his social media page, some four videos of himself making derogatory and insulting statements against Charter House.


The musician also hurled insults at his colleague musicians, workers of Charter House and owners of the company. A portion of the video has even been said to border on threats.


Charter House, a private company with expertise in events management and production, later sued him for defamation.


They are demanding GH¢10 million as damages for the defamatory comments made in the four videos that the artiste had uploaded on the social media.


At the first hearing, the court granted an order restraining Shatta Wale from making further defamatory remarks about Charter House.


Shatta Wale is now begging for an out-of-court settlement of the case and has formally written to lawyers of Charter House to that effect.


The case has been adjourned to November 2, 2014.

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I am a Creative Arts Writer who is also into Strategic Communications, Public Relations, Photography and IT consultancy. I am also Social media enthusiast and an alumni of the Ghana Institute of Journalism (GIJ).

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